Based on yet another young adult fiction book series that you will never read, The Maze Runner initially shows promise.

Within seconds, the audience is thrust into the action as our amnesiac protagonist arrives via elevator at "The Glade".

 We share his disorientation as he attempts to remember who he is, establish his place within the primitive society developed by his fellow inmates and discover why he has been dropped into the middle of a giant labyrinth. 

I had high hopes for this film. Sure, I prefer my labyrinths with Muppets, Jennifer Connelly and David Bowie (in a fright wig) but the premise intrigued me. Unfortunately, what first time feature director Wes Ball delivers is a fun ride which ultimately frustrates.

This truly is a teen action film by numbers. We have a dystopian future where unprepared teens are thrown into a deadly high concept arena as part of some nefarious conspiracy. Sound familiar?

As the lead, Dylan O’Brien (TV’s Teen Wolf) is appealing but certainly does have the charisma that Jennifer Lawrence radiates in The Hunger Games franchise. Actor on the rise, Will Poulter (We’re the Millers, Son of Rambow) impresses as the alpha male of the group. In a testosterone heavy cast, lone female castaway Kaya Scodelario (TV’s Skins) does her best with an underwritten role.

The film hits its stride once we leave The Glade (think Lord of the Flies meets Peter Pan’s Lost Boys meets an all male summer camp) and start exploring the deadly titular labyrinth. The set designs are inspired, as are the deadly spider-like Grievers which roam the maze.

By the last act, it becomes clear that no resolution will be given to any plot strands. The credits roll on a cliffhanger and you’ll leave the cinema with nothing but questions and a slightly bad taste in your mouth.

Sin City: A Dame to Kill For

From the “sequels that no-one asked for” department comes the follow-up to the visually stunning and highly original Sin City (2005).

By virtue of being more of the same, co-directors Robert Rodriguez and Frank Miller have managed to concoct three more graphic novel-inspired noir tales that now have little impact from a visual style perspective. And also now in pointless 3D.

The majority of the original cast return for this outing, including Mickey Rourke as the overcoat wearing killer Marv. Well received as a supporting character in the original, gruff tough guy Marv is now a central character, which for me is now a case of too much of a good thing.

Bruce Willis, Rosario Dawson and Jessica Alba reprise their roles, joining newcomers Joseph Gordon-Levitt, Josh Brolin and a very naked Eva Green.

The bullets fly and the white blood flows thick. Once you become accustomed (or re-accustomed) to the visuals, it’s just a matter of whether you appreciate the very deliberate storytelling style of the film. I didn’t. I just felt completely disconnected from what was happening on the screen. Maybe that is the desired effect.

Strangely released during the school holidays, this particularly non-kid friendly film is likely to sink without a trace at the box office. Wait for the DVD, or even better still, read the graphic novel.

peterayoung.com